I think these are both sounding good, and I have put them through the same reverb as before.īut we can do more with a bit of post-processing. There’s no right or wrong way to do this here. trying different positions in the arrangement.I’ll load both of them into a sampler each, and use the following techniques to come up with something interesting: Between these two, I’ll be able to come up with something interesting. In this case, I’m going to pick 2 sounds: a bell and a vocal snippet. I’m going to add an offbeat syncopated snare around 1.1-1.2, and then again at 2.3-2.4. This is a good practice for certain samples. I added a high-pass filter to the original sample to make sure the kick has space in the low end. It’s most common to use snares to do this, but you can feel free to find toms or any other perc sound. This is a great attention-grabbing technique, and many techno producers use this to switch up different sections. Syncopation is where you program a drum sound to ‘feel’ like it’s playing at a different tempo to the rest of the track. ![]() Here are a few ways you can do this: Syncopated Percussion You can use claps and snares as an energy-building tactic and be more creative with the rhythm. Once you’ve got a kick down, you can program extra percussion hits like claps and snares around the kick.Īs I mentioned, you don’t have to stick to the standard 2 and 4 like in house music. I haven’t used a reverse kick here, but I’m going to do something cool later on instead.įor now, let’s move on to the other drum sounds! #3: It’s all in the rhythm Here’s what I came up with using these tips: removing the kick completely towards the end of a section.However, you can still spice things up with a number of: You want the kick to keep this pattern up for the majority of your track, besides in the breakdown. This is the foundation of techno right here – everything else will surround this core theme. Once you’ve chosen a sample, you’ll want to program a simple 4-on-the-floor kick pattern like so. A lot of low-end is still key, but these kicks have a much tighter sound.įor this guide, I’ll opt for the peak-time techno kick. ![]() However, if you’re going for the modern peak-time techno style, a shorter kick with a lot of punch is probably your best bet. This creates that ‘wash’ of low end that rumbles throughout the club: If you’re going for the raw techno sound, a boomy, 808, or 909 style kick would work well here. House also tends to feature a clap on the 2 and 4, whereas techno forgoes this in favor of highlighting the kick. This is because while house music focuses on swing and groove, techno is all about those straight, driving rhythms. The central theme of techno is the kick drum – even more so than house music. Recommended: How To Make House Music #2: Thumping kicks We might do these at some other point (if you’d like to see these, email me). While we could dive into all of these, for this article we’ll just cover the aforementioned styles. There are other types of techno like dub techno which is less club-oriented and more for listening, and melodic techno which is inspired by progressive and melodic house music.
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